当前展览

“ Blitzfilm ”由 Filmgruppe Chaos （德国“混沌”电影团体）发起，代表德国独立

电影和年轻的电影界。

“ Blitzfilm ”电影节赞助机构： 石勒苏益格—荷尔斯泰因文化电影基金 / 不来梅电影

署 / 汉堡短片机构 / Bitfilm 电影节 / 弗伦斯堡电影节 / 德累斯顿 AG 短片 / 德

国电影 / 上海多伦现代美术馆

由自 1975 年始活跃于德国独立影片界的制片人们发起组织的“ Blitzfilm ”电影节在

当今影界中保持其独特性格。 “ Blitzfilm ”提供对德国短片近期发展的深入透视

，去发现反叛传统的影片制作新实验的未来。远离正统电影边界的视觉影像糅合其他艺术

形式，电影和音乐的互动成为现场愈加重要的部分。“ BLITZFILM ”将带给观众来自德

国的奇特视角。

About BLITZFILM
Blitzfilm is an initiative by Filmgruppe Chaos.
Blitzflilm is representing independent German cinema and the young

filmscene .
Blitzfilm is being organized in cooperation with:
- Kulturelle Filmfoerderung Schleswig Holstein (Cultural Filmfunds
Schleswig Holstein [ North Germany ])
- Filmbuero Bremen (Filmoffice Bremen )
- Kurzfilmargentur Hamburg ( Shortfilm Agency Hamburg )
- Bitfilmfestival (International Festival for Digital Film)
- Filmfest Weiterstadt (Festival near Flensburg )
- AG Kurzflilm (Shortfilm Organisation Dresden )
- German Films (Government Institution for German Filmexport)
BLITZFILM is unique in the festivalscene. BLITZFILM is a festival being organized by
filmmakers, which are vivid part of the German independent filmscene since 1975.
BLITZFILM gives a deep insight into recent developments in German shortfilmmaking.
BLITZFILM permits a view into the future with the latest experiments of leaving the
traditional paths of filmmaking. The visuals are leaving the limits of ortodox cinema
and are mixing with other artforms. The interaction of film and music plays a growing
role. BLITZFILM gives surprising insights from Germany .

Filmgruppe-chaos 成立于 1975 年的德国北部海港城市基尔，它是目前德国最重要的（活跃的），坚持“独立”姿态进行表达的电影团体，他们长期从事短、长片的创作，到目前为止，已经完成作品 56 部。创造制作过大量短片和风格各异的长片，其中包括戏剧 , 纪录片 , 以及采用实验性制作技术和拼贴技术制作影片。作为艺术机构， Filmgruppe-chaos 长期组织电影作品放映及电影节活动，曾主持策划伦敦国际电影节、比利时国际电影节的德国单元部分，受邀赴贝尔格莱德、孟买 , 参加电影展映活动。

1984-87 组织 “ 目间 ” 国际超 8 电影节 ( 德语名称 : Zwischen die Augen), 地点 : 基尔 (Kiel),

1994 策划“火山”电影节（英国）以及the KINO FLASH FLOOD EXPERIENCE电影节（比利时）的德国单元。

1995 与英国Exploding Cinema，比利时Les Zeros Positifs，和法国Les Beurres et les Ordinaires 合作德国巡演。应比利时国际电影节主委会的邀请，策划组织“德国无预算电影单元”在“比利时国际电影节的播放。

1996 开始基尔各个音乐俱乐部定期举办小型国际地下电影作品展映活动

1998- 99 与DJ，Hell 合作巡回演出。作品《爱和战争》（超8作品），在德国Kiel 、科隆, 慕尼黑, 法兰克富作巡回放映

2000 英德联合出品的影片《马尔多罗》（英文名：MALDOROR）的英语版本在伦敦首映《The Making of……》摄影展在伦敦进行，本次展览是与《MALDOROR》同时创作，进一步的讨论，在基尔，科隆、慕尼黑, 布里曼进行。应邀请参加在科隆的Reggae-Summerjam-festival，并进行作品展示

2001 The LUBRICATING FILM NIGHT，25周年纪念活动在科隆（德国）举办

以反对录影监视为主题的作品"City Crime Control"在布里曼（德国）举行播放

作品 KAPITALIMUS IMPERIALISMUS KRIEG II，以多投影的方式在汉堡的S.K.A.M., Reeperbahn播放

作品集 GEORGIEN参加在美国、中国、墨西哥举办的“infomedia-sh打开天窗”主题展览

作品《下注》（德语名：FAITES VOS JEUX）的首映在基尔的Neuen艺术空间进行。

作品《MALDOROR》、《FAITES VOS JEUX》和《PRETTY GOOD PRIVACY》(短片集) 应邀参加贝尔格莱德电影节的transmitter B92单元影片展映活动，塞尔维亚，贝尔格莱德

应邀参加英国“Volcano ”国际电影节，并负责策划组织德国部分的电影放映

2006 “混沌都市”展映、电影讲座和多媒体电影音乐演出活动，中国，重庆

Filmgruppe Chaos
Production of uncountable numbers of shortfilms Several featurefilms of
all styles (play, documentary, experimental-and collagetechniques).
1982-83 KAOS KINO, running a super-8 cinema in a squat in the center of Kiel .
1984 – 1987 organizing Zwischen die Augen (between the eyes)
(international super-8 Filmfestival in Kiel)
Starting to interact with musicians and DJs fom 1985.
Touring Italy 1991.
Colaboration with Exploding Cinema in London 1992-93, touring Germany with
the Exploding Cinema 1993.
1994-1998 organizing ?Perlen vor die Saeue “ Filmfestival in Braunschweig.
Curating the German section of the VOLCANO Festival ( Britain ) and the KINO
FLASH FLOOD EXPERIENCE Festival ( Belgium ) since 1994.
1995 Touring Germany with Exploding Cinema ( Britain ), Les Zeros Positifs
( Belgium ) und Les Beurres et les Ordinaires (France)
1996 starting small regular filmscreening of international underground
filmproductions in various music clubs in Kiel .
1998 – 1999 touring with DJ Hell
2000 Premiere of the British German coproduction MALDOROR
Since 2000 Projections and filminstalitions at big rockfestivals.
2002 Premiere of FAITES VOS JEUX
2003 Filmscreenings in Belgrade, Serbia
2003/2005/2007 Screenigs and teaching in Austria
2005 Filmscreenings in Mumbai, India
2006 Screening, filmlectures and multimedia film-music performance in
Chongqing, China.

“ Blitzfilm ” 电影节发起者 Filmgruppe Chaos （德国“混沌”电影团体）艺术家简历： Martina Stache / 玛蒂娜·斯塔赫（ Germany ） 1967 年生于德国北部，不来梅，现居地。 1985 年创立文化团体“ AKAS ”（德文： Alles koennte anders sein ，意为“一切可以不同” ），创作视频作品，在不同场地组织电影音乐活动以及演出 1992-97 年在独立场地 AKAS 俱乐部举办展览，演出，朗诵，展映及音乐会等活动。 1989 年开始与 Filmgruppe Chaos 合作。 Karsten Weber/ 卡森·韦伯（ Germany ） 1960 年生于德国北部城市新明斯特，自 1972 年始居于基尔。 1975 年创办 Filmgruppe Chaos ，成员为一群学生。 1986-98 年组织推动国际范围的乐队和 DJs 的合作活动。 1988 年开始参加绘画、油画、雕塑和挪用艺术展览， 1992-93 年居于伦敦，与 EXPLODING CINEMA 合作，在大学，艺术院校和文化中心教授电影。 电影节合作音乐家， DJ Phil Conyngham/ 菲尔 · 坎宁汉 (Australia):
www.ozdidj.com
近二十年来，音乐人菲尔坎宁汉作为代表性一员，让澳大利亚北部本土乐器赢得了国际瞩目。无论是迪吉利杜管（ yidaki ）的现场吹奏还是灌制的音像作品，包括影视配乐，都为其扬名。他将音乐天赋用于实验性电影和视频，通过迪吉利杜管吹奏进行学院派表达。菲尔坎宁汉成长于澳大利亚内陆，在学习为一些土著歌曲和舞蹈伴奏的过程中，他开始学习迪吉利杜管这种乐器。受其他音乐风格的影响，他的吹奏技巧逐渐变得适应西方人的耳朵，是他把迪吉利杜管从传统中释放出来，介入并跨越了整个当代音乐。上世纪八十年代，菲尔坎宁汉在新南威尔士大学修读艺术学士学位。在学习电影课程时，他决定把他的早期电影和视频作品与实验性舞蹈表演相结合，其中的艺术装置和声音设计呈现出电子乐和迪吉利杜管音乐的双重特点。

Martina Stache
Born 1967 in Bremen , North germany . Still living there.
Founded the cultural collective AKAS (?Alles koennte anders
sein “ =everything could be different) in 1985. Videoproductions, organizing
film- and music events in different venues, performances and activies with
stickers an posters throughout the city. 1992-97 running the own venue,
the AKAS cellar club for exhibitions, performances, readings,
filmscreenings and concerts. First collaborations with Filmgruppe Chaos
1989. Active within Filmgruppe Chaos for about 10 years.

born 1960 in Neumuenster, Northgermany. Living in Kiel since 1972.
Founded Filmgruppe Chaos in 1975 as a group of schoolkids. 1986-1998
active as a promotor for international Bands and DJs. From 1988
Exhibitions, drawings, paintings, sculptures, copy-art. 1991-1992 Living
in the south of Spain , working in Gibraltar . 1992-1993 Living in London ,
collaborating with EXPLODING CINEMA. Teaching Film at various
universities, artschools and cultural centers.

www.ozdidj.com
Didgeridoo and Bronze Age Horns_experimental film/ video works.

For nearly two decades, musician Phil Conyngham has been part of the rise to international prominence of the Northern Australian Indigenous musical instrument, the didgeridoo (yidaki), building his reputation from live performance and recorded works (including soundtracks for film and television), as well combining his musical talents with an ongoing interest in experimental film and video, and academic presentations.

Growing up in ‘ out-back ' Australia, Phil began his study of the instrument by learning accompaniment to Aboriginal songs and dances. Influences from other musical styles led to the development of his playing technique to suit the western ear and to transpose the instrument from its traditional context into, and across, the full spectrum of contemporary music. While studying film as part of a B.A. degree at the University of New South Wales in the 1980's, Conyngham decided to combine his early film and video works with experimental dance performance, art installations and sound design featuring electronically treated acoustic sounds, including that of the didgeridoo.

Known to didgeridoo enthusiasts as one of the world ' s leading performers on the instrument, Conyngham pioneered the crossover of didj into the electronic club/ DJ scene in the late 80 ' s and early 90 ' s and traveled the globe extensively to do it. His collaborations at the experimental end of jazz, folk, rock, avant-noise and electronic dance music, include an ‘ acoustic Hip-Hop ' out-fit from Spanish Harlem known as ‘ Vox Box ' , whilst Phil lived in New York from ‘ 89- ' 90. The unusual three person group featured rapping, a ‘ crazy girl doing vocal beat boxing ' and of course didgeridoo.

Spending more time in London in the early to mid 90 ' s Phil created his ‘ Waxhxad Pxrvxrts ' project (a name taken from a ‘ super -8 ' “ trash-thriller /film-noir-surf movie ” he made with his mates in Oz) alongside D Controlled Weirdness (Unearthly Records/ U.K.). ‘ It ' s Aboriginal ' released b the notorious London free party crew ‘ Liberator ' o their Stay U Forever label scored the antipodean a number one place i London ' s hard trance charts for three weeks. H also continued t collaborate with experimental film groups including Filmgruppe-chaos (Chaos film, based i Kiel , Germany ) and Exploding Cinema ( London , U.K. ).

In addition to his solo projects, Conyngham ' s work with the Australian/ Irish ensemble Cruinniu (known previously as ‘ Reconciliation ' ), resulted in several albums of high critical acclaim throughout the 90 ' s that again showcase his dual role as both instrumentalist and producer. Following an introduction to the Irish horns over ten years ago from fellow Cruinniu member Simon O ' Dwyer, Phil has become one of the few exponents of these Bronze Age instruments, (the originals date from around 800 BC) and he has had several horn types recast and although they have been silent for nearly 3000 years, his experience as a didj player has helped in developing methods to play them.

Phil also gives lectures and workshops in didgeridoo and Bronze Age horns at universities and conservatories internationally. Those who have come under his tuition include brass players from several orchestras including the BBC Symphony, Ensemble Modern, as well as Wallace Buchanan, didgeridoo player with the English pop group Jamiroquai.

Conyngham continues to impact on both the acoustic and electronic music scenes by refusing to limit his didgeridoo virtuosity to one musical style. An unpredictable and dynamic genre twister, who doesn ' t want to see his instruments confined to the label of ‘ ethno ' or ' new age ' , he combines the approaches used by the more radical producers and re-mixers of leftfield rock, pop and electronic music, with the attitude of a jazz improviser to continually push the boundaries of tone, timbre and technique.

Currently, Conyngham is touring under the monikers ‘ Shadow of the Voice: An Aerophonic Orchestra ' and ‘ DMP Didj Master Philth ' : Music for Didjeridoo, Irish horns and Sound System. Both projects feature the ancient instruments in combination with various ‘ electronic devices ' with the first project being multi-layered ‘ electro-acoustic ' improvisations and the second billed as; ‘ post-rave, neo-rock excursions over funky/ abstract dance-floor beats ' for the ultimate live instrumental/ clubbing crossover experience along with his multi-media Dangerous Visions video work and projections from German super-8 film maker and V.J. Karsten Weber.

Phil Conyngham turns up in the most unlikely places. From small clubs in New York, Berlin, Tokyo, Paris or Berlin to festival appearances at Sphinx, Glastonbury, Womad, sessions in the pubs of Galway Ireland, performances at the Sydney Opera House, outback rodeos and Aboriginal communities in his native Australia and independent/ underground multi-media events in all corners of the world!

总共包括 40 部影片。其中大部分为短片 , 短片长度从 30 秒到 28 分钟不等 , 平均影长为 3 到 4 分钟。以下提供部分短片的信息 , 以及一个长片的概要 .

部分短片介绍 :

-City West Revisited/ 重访西城（作者： Ulf Staeger/ 乌尔夫 · 斯泰格） 在德国没有哪个城市象柏林那样自柏林墙倒塌之后发生那么多的变化，该片以忧伤和艺术的口吻记录了一个大城市的建筑和生活的巨变。 -Salzburg Souvenir/ 萨尔茨堡旅游纪念品（作者： Claus Blume/ 克劳斯 · 布鲁姆）模仿沃夫冈·阿玛迪斯·莫扎特“魔笛”中最有名的咏叹调，该片是关于对莫扎特的热爱和他的出生地的讽刺宣言。 -Buzzking/ 嗡声之王（作者： Roland Stepanek/ 罗兰 · 斯特派奈克）一部记录澳大利亚音乐家菲尔 · 坎宁汉一次街头表演的实验影片，该片自三年前作者完成此片去世后从未展映过。在这次上海展映中音乐家菲尔 · 坎宁汉本人将现场为该作品演奏配音。 -Ziegen Zuerst (Goats first)/ 山羊优先（作者： Baerbel Haage/ 贝贝尔 · 哈格）该动画影片的剧情取材自一个德国童话。以非同寻常的动画技巧讲述躲迷藏的文学故事，其主题为母爱和孩子的恐惧。 -Bettnaesser (Bed-wetter)/ 尿炕小儿（作者： Ingo Schiller/ 因格 · 席勒 + Stephan Flint Mueller / 史蒂芬 · 弗林特 · 穆勒）一部单桢现实动画杰作，高速穿行一个疯狂的世界。 -Silicon Circuit/ 硅电路（作者： Hanna Nordholt/ 汉娜 · 诺德霍尔特 Fritz Steingrobe/ 弗瑞兹 · 斯泰因格罗伯）这群以汉堡为根据地的实验片影人们在趣味表达科学、音乐和哲学领域的新思想方面的探索堪称传奇。该片为纯粹的视觉糖果 . -Dionysos/ 狄俄尼索斯（作者： Sublunare Welt(Sublunar World)/ 月下世界）希腊戏剧与尼采的哲学在一部粘土动画作品中相遇。该部新片在中国首映。 -Gruen (green)/ 绿（作者： Niklaus Hillebrand/ 尼古拉兹 · 黑利布兰德 + Kyne Uhlig/ 凯恩 · 尤利格）该影片在这个电脑动画的时代相当独特，其中的主要人物由一个吸尘器，黄瓜，汤匙和其他厨房用品组成，影片作者身体缩小，以至斗不过这些发了疯的家庭用品。

-ENERGIE (Energy)/ 能量（作者： Thorsten Fleisch/ 索尔斯泰恩 · 弗莱施）该片将纯粹能量视觉化，几万伏特的电量直射感光纸，经化学处理后，光电图形现影并开始能量的劲舞。 -Mother India/ 印度之母（作者： Filmgruppe Chaos ）由德国北部电影团体制作的最新的再生媒介作品。将宝莱坞和日本漫画影象制作成抽象画面，原声创作：伦敦声音艺术家“ Lepke B. ”，以及 Hist 音乐计划“ Die Trip Computer Die ” ( 死亡 - 旅行 - 电脑 - 死亡 ) -LAUF (Run)/ 奔（作者： Philipp Fleischmann/ 菲利浦 · 弗莱希曼）一个年轻人发疯般地奔跑，跳过沙滩上的日光沐浴者，目不斜视地穿过高速公路。发生了什么？一部高速喜剧。一部长片的概要长片： -Die Reise ins Glueck(Journee into Bliss)/ 幸福之旅（作者：温泽 · 斯朵尔赫） “古斯塔夫船长盼望一段衣食无忧的安宁生活，他的蜗牛般的航船连同船上杂色纷呈的人兽船员组合（其中包括一只棕熊，一只猫头鹰，种类齐全的蛙们）一起被冲到一个神秘的岛屿上，兴奋地憧憬着在岛上早早过上退隐的日子，大家做好了登岸的准备，谁都没想到在这个岛的中心住着一个恶魔王统治着一切。” 关于该片的评论：约翰 · 沃特曼在 FILMBRATS （美国）上写道：“毫无疑问，温泽 · 斯朵尔赫因为这部片子已成为全德甚至整个世界最牛的导演。” 而欧勒夫 · 纽曼则在《滚石杂志》（ ROLLING STONE ）称该片导演为“德国最大胆的电影制作人” 以下是艺术家提供的参考网址，某些电影制作人和影片在这些德语网站有更多信息， Jounee into Bliss - Wenzel Storch http://www.kulturserver-hildesheim.de/home/storch/englisch/estart.htm Beatpix peter schulte www.luftschlosstransformator.de Salzburg Souvenir Claus Blume www.videoart.de Gruen Nikolaus Hillebrand + Kyne Uhlig www.niky-hilder.de Buzzking www.filmgruppe-chaos.de Energie Thorsten Fleisch www.fleischfilm.com Ziegen Zuerst Baerbel Haage www.ziegenzuerst.de

-City West Revisited （ by ： Ulf Staeger ） No other city in Germany has gone through so many changes as Berlin has after the fall of the wall. A melancholic artistic view on the radical changes of architecture and life in a big city. -Salzburg Souvenir （ by ： Claus Blume ） After the most famous aria from Wolfgang Amadeus Mozart "The Magic Flute". An ironical declaration of love to Mozart and his place of birth. -Buzzking （ by ： Roland Stepanek ） An experimental documentation of a streetperformance of the Australian musician Phil Conyngham. This was never screened since the filmmaker died after finishing this film 3 years ago. Phil Conyngham will play a lifesountrack to the work atr the Shanghai screening. -Ziegen Zuerst (Goats first) （ by ： Baerbel Haage ） Animationfilm after a German Fairytale. A hide and seek story in literature about a mothers love and childrens fear told in unusal techniques of animation. -Bettnaesser (Bed-wetter) （ by ： Ingo Schiller + Stephan Flint Mueller ） A masterpiece of singleframe-reality-animation. A high speed trip through a mad world. -Silicon Circuit （ by ： Hanna Nordholt + Fritz Steingrobe ） These Hamburg based experimental filmakers are a legend in finding interesting ways of aproaching interesting ways of aproaching new ideas in science, music and philosophy. Pure eyecandy. -Dionysos （ by ： Sublunare Welt(Sublunar World) ） Greek drama and the philosophy of Nietzsche meet a work of claymation. This brand new production has its premiere in China . -Gruen (green)by ： Niklaus Hillebrand + Kyne Uhlig ） In the times of computeranimation this film is really unique. The main Characters are being played by a vacuum cleaner, a cucumber, a spoon and other things out of the kitchen. The filmaker shrunk into a size wich makes it a problem to fight these household elements going wild.

-ENERGIE (Energy) （ by ： Thorsten Fleisch ） this film visualizes pure energie. Several thenthousands of volts eletricity are being shot onto photographic paper. After a chemical process lighning structures take over and begin an energetic dance... -Mother India by Filmgruppe Chaos ） The latest work of mediarecycling by the north German filmcollective. Bollywood and Manga images are being manupulated into abstraction. Soundtrack by the soundartist Lepke B. from London and hist musicproject "Die Trip Computer Die" -LAUF (Run) by Philipp Fleischmann A young man is running like mad, jumping over sunbathers on the beach and crossing the motorway without looking. What has happend? High speed comedy. FEATUREFILM: -Die Reise ins Glueck(Journee into Bliss) by Wenzel Storch Captain Gustav is looking forward to going into well-earned period of peace and quiet. His snail ship with its colourful, raggle-taggle crew of man and beast (including, to name but a few, a brown bear, an owl, and a whole range of frogs) washes up on a mysterious island. Excited at the prospect of blissfully early retirement, preparations Are made for disembarkation, because no one has the faintest idea that at The very hub of the island there resides and rules an evil king. Press: " Wenzel Storch has definitely made a name for himself as one of the most outrageous directors, not only in Germany but also in the world." Jon Waterman FILMBRATS ( USA ) " Germany 's most daredevil film-maker." Olaf Neumann ROLLING STONE ( USA )